Upon my
visit to the Museum of the Moving Image, I was expecting nothing more than a series
of relics from the Old Hollywood era of films. However, I was pleasantly surprised
to see props, exhibits, and items from a films that I personally love and
exhibits that had nothing to do with film. As far as films go, however, I was
excited to see the masks used for the apes in the beginning of Stanley Kubrick’s
2001: A Space Odyssey since that is
one of my favorite movies due to its atmospheric and experimental pacing. I was
also delighted to see some of the city props from Ridley Scott’s Blade Runner, another one of my favorite
science fiction films. Both of these films have influenced the kind of work I would
like to do, both aesthetically and in terms of narrative and subject matter.
The masks used in 2001: A Space Odyssey
Another
small exhibit that I found interesting was Chuck Workman’s Precious Images short film. This exhibit functioned as a tribute to
great directors of cinema. The short film itself was particularly interesting since
it was comprised of a series of match cuts from all sorts of films throughout
history. It was fun watching it and trying to recognize short 2 second clips
from different movies that I’ve seen. However, it made me think about film fundamentals
and how directors have been in a sense doing the same type of shots over and
over since film became an art form and it made me remember why I favor avant-garde
and experimental style films.


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